Thursday, April 17, 2008

Firsts....

For the first time, I bawled like a baby over not yet being pregnant. I've teared up a couple of times, I've gone into funks, but this - this made me cry.



For senior, abortion a medium for art, political discourse

Martine Powers

Staff Reporter
Published Thursday, April 17, 2008

Art major Aliza Shvarts '08 wants to make a statement.

Beginning next Tuesday, Shvarts will be displaying her senior art project, a documentation of a nine-month process during which she artificially inseminated herself "as often as possible" while periodically taking abortifacient drugs to induce miscarriages. Her exhibition will feature video recordings of these forced miscarriages as well as preserved collections of the blood from the process.

The goal in creating the art exhibition, Shvarts said, was to spark conversation and debate on the relationship between art and the human body. But her project has already provoked more than just debate, inciting, for instance, outcry at a forum for fellow senior art majors held last week. And when told about Shvarts' project, students on both ends of the abortion debate have expressed shock . saying the project does everything from violate moral code to trivialize abortion.

But Shvarts insists her concept was not designed for "shock value."

"I hope it inspires some sort of discourse," Shvarts said. "Sure, some people will be upset with the message and will not agree with it, but it's not the intention of the piece to scandalize anyone."

The "fabricators," or donors, of the sperm were not paid for their services, but Shvarts required them to periodically take tests for sexually transmitted diseases. She said she was not concerned about any medical effects the forced miscarriages may have had on her body. The abortifacient drugs she took were legal and herbal, she said, and she did not feel the need to consult a doctor about her repeated miscarriages.

Shvarts declined to specify the number of sperm donors she used, as well as the number of times she inseminated herself.

Art major Juan Castillo '08 said that although he was intrigued by the creativity and beauty of her senior project, not everyone was as thrilled as he was by the concept and the means by which she attained the result.

"I really loved the idea of this project, but a lot other people didn't," Castillo said. "I think that most people were very resistant to thinking about what the project was really about. [The senior-art-project forum] stopped being a conversation on the work itself."

Although Shvarts said she does not remember the class being quite as hostile as Castillo described, she said she believes it is the nature of her piece to "provoke inquiry."

"I believe strongly that art should be a medium for politics and ideologies, not just a commodity," Shvarts said. "I think that I'm creating a project that lives up to the standard of what art is supposed to be."

The display of Schvarts' project will feature a large cube suspended from the ceiling of a room in the gallery of Green Hall. Schvarts will wrap hundreds of feet of plastic sheeting around this cube; lined between layers of the sheeting will be the blood from Schvarts' self-induced miscarriages mixed with Vaseline in order to prevent the blood from drying and to extend the blood throughout the plastic sheeting.

Schvarts will then project recorded videos onto the four sides of the cube. These videos, captured on a VHS camcorder, will show her experiencing miscarriages in her bathrooom tub, she said. Similar videos will be projected onto the walls of the room.

School of Art lecturer Pia Lindman, Schvarts' senior-project advisor, could not be reached for comment Wednesday night.

Few people outside of Yale's undergraduate art department have heard about Shvarts' exhibition. Members of two campus abortion-activist groups . Choose Life at Yale, a pro-life group, and the Reproductive Rights Action League of Yale, a pro-choice group . said they were not previously aware of Schvarts' project.

Alice Buttrick '10, an officer of RALY, said the group was in no way involved with the art exhibition and had no official opinion on the matter.

Sara Rahman '09 said, in her opinion, Shvarts is abusing her constitutional right to do what she chooses with her body.

"[Shvarts' exhibit] turns what is a serious decision for women into an absurdism," Rahman said. "It discounts the gravity of the situation that is abortion."

CLAY member Jonathan Serrato '09 said he does not think CLAY has an official response to Schvarts' exhibition. But personally, Serrato said he found the concept of the senior art project "surprising" and unethical.

"I feel that she's manipulating life for the benefit of her art, and I definitely don't support it," Serrato said. "I think it's morally wrong."

Shvarts emphasized that she is not ashamed of her exhibition, and she has become increasingly comfortable discussing her miscarriage experiences with her peers.

"It was a private and personal endeavor, but also a transparent one for the most part," Shvarts said. "This isn't something I've been hiding."

The official reception for the Undergraduate Senior Art Show will be from 6 p.m. to 8 p.m. on April 25. The exhibition will be on public display from April 22 to May 1. The art exhibition is set to premiere alongside the projects of other art seniors this Tuesday, April 22 at the gallery of Holcombe T. Green Jr. Hall on Chapel Street.




The first thought in my head? That BITCH! She gets pregnant - multiple times, no less! - solely to have an ABORTION for the sake of fucking ART?!? ART? Where is the art, in that?

Art: a: the conscious use of skill and creative imagination especially in the production of aesthetic objects; also : works so produced

I suppose, if one was being strictly dictionary, she did use her creative imagination to produce an aesthetic object, if someone can find beauty in blood and dead children. *tear* I can't. It's just a open bit of sadness, for me, right now. Actually, this would have been horrifying and - seriously psychotic - no matter where I was in my life, but at this point? Right HERE? It's making me cry.

I suppose dead kittens are art, too, somewhere.

The only thing that soothes me, is that - while she did say that she repeatedly inseminated, maybe - just maybe - she really wasn't pregnant. Maybe - just maybe - it's really just menstrual blood, and she wanted to make it more 'interesting' and 'shocking', so she called it a miscarriage.
That's the only thing that's - that's - I don't know. It's the only thing that could possibly make this less horrifying.

From a purely political point of view - I think that she had the right to do what she did. By law, she was well within her rights. As a pro-choice/pro-women's rights individual, I have to set my personal feelings aside, and say - yeah. That's her right - as unsettling as it is, because to say that it's not her right to do it, erodes all of our rights. Do I still think it's psychotic? But of course.
But then, all the 'good' artists are insane, aren't they?

4 comments:

Anonymous said...

I want her to reveal just what she took. Women have been using herbs to terminate pregnancy for thousands of years but once birth was medicalized so was abortion. I think natural abortifacients are women's wisdom and I think while she may not be aware of it, the artist is reclaiming that wisdom. Knowing about this or at least knowing where to find out about it if one feels the need gives women control over their fertility.

Kiya said...

Go to www.sisterzeus.com - there are many, many good resources there.

I have no issue with how she terminated. I have issues with the fact that she concieved/attempted to concieve solely for the purpose of termination.

Anonymous said...

Well I guess it's relative. I don't know that she'd say her "sole purpose" was termination. However, given that you're trying to TTC, I can feel compassion for your reaction.

I think though that her repeated terminations make a point as well. On so many websites and whatnot that discuss natural abortifacients there's always that caveat about seeking a trained person to oversee the process or something horrid might happen. I think it's probably a lot simpler (physiologically) for most women than people are led to believe. Her project plants the seed that women can own the process from beginning to end if that's their desire.

Anonymous said...

Apparently she lied. She didn't really do it.

http://www.yale.edu/opa/